Written by David Hare, Directed by Joel Greenberg
Runs until Dec. 23rd 2009
Hair - Al Hirschfeld Theatre - Broadway - New York, NY - ***** (out of 5 stars)
Music by Galt MacDermott, Book and Lyrics by James Rado and Gerome Ragni, Directed by Diane Paulus, Choreographed by Karole Armitage
The revivals of Hair and Stuff Happens may have moved to bigger stages this year, just as its slams against the Bush administration are less urgent or timely, but that doesn't diminish their theatrical impact.

Stuff Happens originally premiered at the National Theatre in London in 2004, then made its American debut at the Mark Taper Forum in Los Angeles, finally making its New York debut at The Public Theatre. It finally premiered in Toronto last year at the Berkeley Street Theatre but has now gotten a commercial transfer thanks to Mirvish, adding it to it's giant subscription base (apparently the largest in North America). Pretty impressive since it's a pretty straight forward recount of the Bush administration leading up to the invasion of Iraq after 9/11.
I never saw any of the earlier incarnations of Stuff Happens, so I'm not sure how different Joel Greenberg's production is from the others, but I loved how theatrical he made the whole proceedings, especially since the play is basically a series of discussions, meetings and speeches, sometimes verbatim from the real Bush administration, that basically indicts their decisions to lead America into an invasion on Iraq. Of course, this being 2009, it's all stuff we know already, and the play being presented in Canada, it's all stuff Canadians knew at the time it was happening. So while the play presents a lot of the back office politics as shocking stuff, it's nothing we haven't really heard before. At least when you have my conspiracy theorist father or you watch The Daily Show or live in a country like Canada.

Some of my friends thought the famous portrayals were a little caricature, but I thought it was actually played at a nice balance, enough for recognition but never cartoonish. George W. Bush was played not as a buffoon, but as someone with self-interests thinking he's doing good while making dumb mistakes, which is almost scarier.

The major changes in the move to Broadway have mostly been minor, but the tribe still runs and interacts with the audience, and the audience can still run up to the stage and dance in the bows, while Kevin Adams gorgeous lighting has become even more focused, while Scott Pask has beautifully shifted the outdoor show and with Paulus, managed to create a hippie haven in the Hirschfeld Theatre.

Caissie Levy (from Hamilton, ON!) takes over in the role of Sheila, and she is the one major improvement that needed improving. The Park's Sheila was the biggest weakness in the show, and Levy not only grounds the role, but makes her intelligence and passion plausible and you get why as smart as Sheila may be, she might actually want to hang out with Berger. Levy's voice is wonderful and her performance really holds to the rest of the show now.
Sasha Allen takes over the role of Dion (from the departing Patina Renea Miller, now the lead in Sister Act: the Musical in London) and while I miss Miller's ingrained sass, Allen does a wonderful job nonetheless.

And apparently, they are going to London come April! But for now, don't miss it in New York, and if you can, try to get an aisle seat!
Vance at http://tapeworthy.blogspot.com
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