Showing posts with label Gilmore Girls. Show all posts
Showing posts with label Gilmore Girls. Show all posts

Thursday, March 11, 2010

Meet the Parents - Parenthood & Sons of Tucson - Pilot Reviews

Parenthood - Pilot, Man Vs. Possum - Eps. 101-102 (Tuesdays at 10pm on NBC)
Sons of Tucson - Pilot - Ep. 101 (Premieres Sunday Mar. 14th on FOX at 9:30pm)

Two new shows this spring take a very different approach to parenting.

NBC's Parenthood is basically a classier, more bland version of Brothers & Sisters. Even the family dinner table scenes look similar. But where Brothers & Sisters have a strong matriarch in Sally Field's Nora Walker, Parenthood's Bonnie Bedelia isn't given much to do yet, mainly because her husband Craig T. Nelson is so intense.

But what makes Brothers & Sisters so much fun is that it's a trashy soap acted by an A-list cast.

On Parenthood, it's a terrific cast doing mildly interesting stories in this intergenerational family drama that is light on the laughs and delves into potentially dramatic, but tedious storylines. I love Peter Krause (Six Feet Under) but do we really need to see him and Monica Potter (who already can be so easily aggravating) deal with their son's Asperger's syndrome? (Is Asperger's the new Autism for TV?) It's sets up some great dramatic and dark moments, but the reality is, it's going to be a tedious storyline in the long run and as truthful or realistic as that situation it might be, it's already becoming grating.

At this point, I'm willing to buy into Erika Christensen's overambitious Julia and her hot husband Sam Jaegar (Eli Stone). I'm a little fearful of Dax Shepard and his newfound discovery of an existing son, and Craig T. Nelson's intense patriarch comes off a bit strong.

However, while Lauren Graham wasn't originally part of the show, and I worried that her Lorelai Gilmore persona would seep through, Graham's Sarah and her disheveled family gives the heart and passion the show needs to uplift it from it's middlebrow middle class blandness. Graham's scenes with guest Mike O'Malley during a blind date sister Julia has set up is funny and heartbreaking. Graham's job interview that her father secretly sets up was heartbreaking and funny. Add in an amazing Mae Whitman (Arrested Development) as her troubled daughter Amber, and a wonderfully woeful Miles Heizer as son Drew, and this trio amongst the huge ensemble creates an intimate portrait of a struggling family transitioning into their grandparents household and is easily the most moving piece of the show.

The show could throw in a bit more fun, as it will never intensify the drama enough to reach the points of the better executed family drama Friday Night Lights (by the same production team).


Over on FOX, the half-hour sitcom Sons of Tucson debuts this weekend and it's a light and amusing show that seems unnecessary, but comforting.

When 3 brothers lose their father to prison, they scheme to hire a sad sap of a loser to act as their father. It's ripe for old traditional sitcom shenanigans, while filmed in a one-camera format. With Reaper's Tyler Labine (perfecting his schtick that hasn't changed since Breaker High) as lovable loser Ron, he makes a deal to become a pretend parent to the Gundersen kids, and the boys take Ron for quite the ride. To be honest, I was amused by the all the antics. Obvious? Yes, but still funny and likable. Labine is... well Labine and the three kids, Frank Dolce, Matthew Levy and Benjamin Stockman are kinda precious and precocious without being too irritating.

It's not a show I will need to watch all the time, but it makes for nice diversion entertainment and would have been a perfect summer show. My fear is that like it's predecessor Malcolm in the Middle (whose producing team is now working on this with Justin Berfield, one of the sons from Malcolm), the concept will tire easily and fast, and remain solely on the shoulders of its great cast.


At this point Parenthood gets *** (out of 5) from me and most of that goes to Lauren Graham and Peter Krause, while Sons of Tucson gets **1/2 (out of 5) for now. Both are generally entertaining but lack that extra punch for required viewing, although Parenthood has that built in potential with the cast and set up.

Vance at http://tapeworthy.blogspot.com


More After the Jump...

Monday, January 04, 2010

Decadeworthy - Television of the Decade

Here's my picks for the Best in Television of the Decade. Yes, it was the golden age of television. Where shows were able to further blossom, delve deeper, run archs that created emotionally satisfying stories that took advantage of using the longer format. Or, the opposite, where crime procedurals flourished.

And yes, while it may seem like I watch every show out there, I actually do not. Sadly, I had real jobs to do. So no, I still haven't started The Wire or Battlestar Galactica or Big Love yet, and while I petered out on Six Feet Under and The Sopranos, I never got back into them when they apparently resurged in quality.

So I've limited to picking the shows with their best season in this decade (so thus, The Sopranos S1 was 1999 and thus ineligible, as was S2 of Sex and the City. 1999 was a good year for HBO wasn't it?), and it can't have already been mentioned on my Decadeworthy: Best of Television 1 Season Wonders List.

I also started listing them in order but kept switching the orders for days that I almost went back to alphabetical, but decided to leave the ranking, but you can probably argue a different order especially from 11+ and I could agree. So don't put too much attention to the exact order.

So here's my Decadeworthy List for Television of the Decade:


1. Friday Night Lights (DirecTV/NBC) - Season 3 (2008)

Right from the get go, Season 1 grips you into the lives of the residents living in Dillon, TX, but Season 3 is when the emotional culmination comes to full fruition in deeply moving stories that continue on in Season 4 as more characters are giving satisfying sendoffs while new players are rolled in, all with the central core of Tami and Coach Eric Taylor staying strong at its heart.


2. Lost (ABC) - Season 4 (2008)
Best Episode: "Through The Looking Glass" (Ep. 322)

The 3rd Season finale changed the game but also confirmed Lost was in fact, not completely lost, with Season 4 continuing the build on everything since the terrific first season, mixing the mystery and lore with deep looks into Oceanic 815 survivor's lives and their destiny.


3. Coupling (BBC2) - Season 3 (2002)
Best Episode: "Remember This" (Ep. 304)

A British version of Friends with Sex and the City thrown in, the show is cute and builds to comic perfection in Season 2, but Season 3 tops that with some genius devices including the "Split" and "Remember This". I would say 5 of the 7 episodes in the season are perfect and cannot be touched.


4. Buffy the Vampire Slayer (TheWB/UPN) - Season 5 (2000-2001)
Best Episode: "The Body" (Ep. 516)

Before the decade had begun, the show had already perfected the use of high school/college as allegory for bigger, more devilish themes, with a funny Scooby crew fighting off demons and vampires, but everything seemed to gather to an emotional and urgent climax to fight Gloria, as well as the incredibly moving and non-supernatural death of Buffy's mom.


5. Everwood (TheWB) - Season 4 (2005-2006)
Best Episode: "Foreverwood Parts 1 & 2" (Eps. 421 & 422)

Every season deepened the family drama about a successful surgeon and his two kids that he tries to know better after moving to the small town of Everwood, CO. Everwood managed to balance both a light and fun tone with deeper and more emotionally dark issues, all with characters we learned to love, and managed to cobble together one of the most satisfying finales despite having the show cancelled unceremoniously at the last minute.


6. Pushing Daisies (ABC) - Season 1 (2007)
Best Episode: "Pielette (Ep. 101)

A deliriously delicious romantic murder mystery that sort of defied genres. Part romantic comedy, part crime procedural, part fantasy, part gay wonderland, and all wonderful.


7. Veronica Mars (TheWB) - Season 1 (2004-2005)

A mystery film noir done for the high school set but was not for the high schooler, with the dark cases and witty repartees, Kristen Bell led a terrific cast in a sleuth show that constantly surprised with twists and turns that were both fun and actually puzzling.


8. Gavin & Stacey (BBC3) - Season 1 (2007)
Best Episode: "Episode One" (Ep. 101)

A great romantic comedy television show that wasn't schmaltzy or cliched and pushed forward in a dizzying pace with harsh realities without ever losing the dream romance at its core.


9. Arrested Development (FOX) - Season 1 (2003-2004)

O that zany Bluth family. There's no words to describe the hilarity or to make sense of it all.


10. Gilmore Girls (TheWB) - Season 2 (2001-2002)

Comfort TV at it's finest, and fastest with the witty banter between the close mother and daughter relationship of Lorelai and Rory Gilmore, but the power in the Gilmore Girls was that it was really a 3-generations relationship with grandmother Emily. The quirky townsfolk of Stars Hollow just romanticized small town living to its finest.


11. Friends (NBC) - Season 9 (2002-2003)

Some said Friends went downhill in the later seasons, but while it had its up and downs, I thought things started picking up again once Chandler and Monica started having their secret affair post Ross' London wedding, and got back into a great groove near the end when Rachel had her baby, Joey had his crush, and things started to set up for the end in the following year. The comic timing between the tight cast were down to perfection by that point, and the writing got sharper again, using the years of character history to construct new comedy gold.


12. Mad Men (AMC) - Season 1 (2007)
Best Episode: "The Wheel" (Ep. 113)

I haven't seen the latest season yet, but the series is a fun and addictive look at the 60's lifestyle of these Madison Avenue men, but the heart of the show is still its women (Peggy, Betty, Joan). The show slowly draws you into the darker underlying tones that hide under the well tailored suits and flower patterned dresses.


13. Modern Family (ABC) - Season 1 (2009)

Welcome to the new age of the family sitcom!


14. 30 Rock (NBC) - Season 2 (2007-2008)

While the overall story arcs are sometimes left at the wayside for the side-splitting insanity within each episode, but when it's that insanely funny, what's really the problem with that?


15. Glee (FOX) - Season 1 (2009)
Best Episode: "Pilot" (Ep. 101)

Do I need to explain my love for this high school musical with a black humour streak? Just don't stop believin'!


16. Desperate Housewives (ABC) - Season 1 (2004-2005)
Best Episode: "Pilot" (Ep. 101)

At it's best, the show, and especially the pilot, was a great dark satirical soap opera on the suburban lives of these desperate housewives and while it had some hiccups, the five year flashforward reinvigorated the show. Still, the first season, with the 1st mystery arc and the dark humour, worked great together.


17. The Office (NBC) - Season 3 (2006-2007)

For once, I thought the Americanized version of a show actually bettered the original UK version. I know purists will disagree but the original was TOO painful and awkward. Fascinating yes, but painful. The American version really got into its own groove in the second season mixing painfully awkward humour with a more powerful emotional impact by making it easier to relate to the office drones. By season 3, the balance had been perfected and the show really became its own entity.


18. Grey's Anatomy (ABC) - Season 2 (2005-2006)

When it was great, it was melodrama at its best.


19. Alias (ABC) - Season 1 (2001-2002)
Best Episode: "Truth Be Told (Ep. 101)

Things could not be more complicated for Sydney Bristow (a star making turn by Jennifer Garner) and the pilot episode was a wealth of information and twists and turns into her world as a secret spy living as a grad student by day. In comes spy daddy (the terrific Victor Garber) who may or may not be on her side, plus a cast of great characters in her spy world and at home, and it was the beginning of a totally wild and action packed series that eventually fell off the tracks, but boy was it fun while it was still hot.

20. The Amazing Race (CBS) - Season 2 (2002)
Best Episode: "Help Me, I'm American" (Ep. 202)

First season was brand new, but they perfected the race in the 2nd season with a perfect mix of racers including Tara and the Weasel Will, Cute brother and sister team Blake and Paige, the fabulous Danny and Oswald (who actually stopped racing to go shopping in Hong Kong AND still beat the others to the airplane), and the hunky Boston boys. Plus it's where the racers played it boldly, including the first time a team was brave enough to ask strangers for help and when the race still ended in a footrace that ended with teams so close together that it went down to the wire. Exciting and hilarious.

21. Ugly Betty (ABC) - Season 1 (2006-2007)

22. Once and Again (ABC) - Season 2 (2000-2001)

23. Entourage (HBO) - Season 2 (2005)

24. Weeds (Showtime) - Season 1 (2005)

25. Nurse Jackie (Showtime) - Season 1 (2009)

26. So You Think You Can Dance (FOX) - Season 2 (2006)

27. The OC (FOX) - Season 4 (2006-2007)

28. Better Off Ted (ABC) - Season 1 (2009)

29. The United States of Tara (Showtime) - Season 1 (2009)

30. Damages (FX) - Season 1 (2007)

31. Supernatural (TheCW) - Season 1 (2005-2006)

32. Burn Notice (USA) - Season 1 (2007)

33. Angel (TheWB) - Season 4 (2002- 2003)

34. Survivor (CBS) - Season 1

35. Bones (FOX) - Season 4 (2008-2009)

36. American Idol (FOX) - Season 1 (2002)

37. Top Chef (Bravo) - Season 6 (2009)

38. Project Runway (Bravo) - Season 4 (2007-2008)

39. Chuck - Season 1 (2007-2008)

40. Six Feet Under (HBO) - Season 1 (2001)

41. Southland (NBC/TNT) - Season 1 (2009)

42. Scrubs (NBC/ABC) - Season 2 (2002-2003)

43. Ed (NBC) - Season 1 (2000-2001)

44. Gossip Girl (TheCW) - Season 1 (2007-2008)

45. It's Always Sunny In Philadelphia (FX) - Season 1 (2005)

46. 24 (FOX) - Season 1 (2001)

47. The Big Bang Theory (CBS) - Season 2 (2008-2009)

48. How I Met Your Mother (CBS) - Season 2 (2006-2007)

49. Without a Trace (CBS) - Season 1 (2002-2003)

50. Men In Trees (ABC) - Season 1 (2006-2007)


Best Shows I Started Watching But Am Only Finished or Partway Through the First Season So I Didn't Feel I Watched Enough to Properly Place A Ranking For It But They Are So Awesome I Need to Acknowledge Them Somehow:

Breaking Bad (AMC) - Season 1 (2008)

Dexter (Showtime) - Season 1

Fringe (FOX) - Season 1

The Secret Diary of a Call Girl (SHOWTIME/ITV2) - Season 1

Shows I Know Are Good But Have Yet To See and Still on my Pile of Shows to Watch:
Big Love
BattleStar Galactica
The Wire



______________________________________

Decadeworthy - The Best of 2000-2009 Lists:
SYTYCDworthy (w/ Videos) - List Format
Theatre of the Decade
Best Films of the Decade
Favorite Films of the Decade
Television of the Decade
Television of the Decade - 1 Season Wonders

Best of 2009 Lists: Coming soon
Best of Music 2009
Best of Television 2009
Best of Stage 2009
Best of Movies 2009

Previous Best-of Lists:
Best of 2008 Lists:
Best of Music 2008
Best of Television 2008
Best of Stage 2008
Best of Movies 2008
Best of Television Fall '07 - Winter '08 List

Best of 2007 Lists:
Best of Music 2007
Best of Television 2007
Best of Movies 2007
Best of Stage 2007
Best of 2007 (The Final Wrap Up)
Best of Television Fall '06 - Winter '07 List

Best of 2006 Lists:
Best of Music 2006
Best of Television 2006
Best of Movies 2006
Best of 2006
Best of Television Fall '05 - Winter '06 List

Best of 2005 Lists:
Best of Television 2005
Best of Movies 2005



Vance at http://tapeworthy.blogspot.com


More After the Jump...

Friday, May 15, 2009

Tapeworthy 2000

It's my 2000th post!!!

So in the 3 years and 3 months that it's taken me to write 2000 posts, I've watched a LOT of stuff (as you may have noticed), and while the blog has expanded from its initial TV talk and as I lost my co-blogger (she found a boyfriend, moved to New Zealand and lived happily ever after. Bitch! (You know I still love ya "highbrow")), I've carried on ranting and raving about all the shows I've loved.

Since I basically write this blog just to put out my Best of Lists, I thought I'd take a look back at the shows that made it to #1 on my Best of TV lists. I however only just realized that only 3 shows have gotten that coveted spot since 2005.

Best of TV 2008
Best of TV 2007 - 2008 TV Season
Best of TV 2007
Best of TV 2006 - 2007 TV Season
Best of TV 2006
Best of TV 2005 - 2006 TV Season
Best of TV 2005

So here are the most Tapeworthy shows that were #1 on my Best of Lists since I've started the blog (in order from oldest to newest, though if you follow my blog, they're kinda obvious):


Season 2 is FINALLY coming out June 16, 2009, 5 years after the first season DVD was released. You can watch on TheWB online in the states, or catch up on abcFamily. While the first season is a solid start, and the second season is enjoyable, it's really during the 3rd and the 4th and final season that Everwood becomes rock solid, and one of the best family dramas. And it topped my TV list during the end of its run, just as I had started this blog.



From the very first episode, and all through the first season, we were blown away as we got sucked into the lives of the surviving passengers of Oceanic 815. We discovered The Others in season 2, and while it may have gotten a little muddled around season 2 and 3, the third season finale made it all worth it and the show continued to confuse us and enthrall us during season 4. And of course, we just ended season 5, and I'm as confused as ever, and I cannot wait for more!!!



I'm still amazed this amazingly honest and heartbreaking show still manages to be on NBC after 3 seasons (with 2 more seasons to come!). Thanks to a DirecTV partnership, the brutally realistic lives of an average Texan town are laid bare for all of us to watch, as we become as emotionally connected with the characters as they would in the townsfolks themselves.

Here are noteworthy shows that I've loved, but that just missed the top spot through the years:


I never actually put this at the top of my list but it always came mightily close in its short 3 season run. And if I had my blog a year earlier, it probably would have landed on top with its stunning first season. The second season only got deeper and richer and I'm not sure why I didn't rank it higher, because repeat viewings have not soften the gritty and witty edges of this show.



Always a bridesmaid, the colourful show about death and life and life again never got the respect and time for growth it deserved, and had it ran longer, was probably going to top the list at some point, but alas, the show (which still has 3 episodes left to air on ABC starting later this spring, yet has aired everywhere else in the world) couldn't manage to stay alive to develop the twists and romantic turns on this mystery show.



There was a lot of brilliance in this reality-tv competition and while I couldn't get into the first season, the second season sucked me in and I've never let go. From the entertaining and informative judges, the variety of thrilling choreography, and the numerous lovable dancers to root for as they get put through the choreography grind, makes the show such a fun summer watch.



While the show has faltered and risen again, the show was a splendid, superbly taut and sublime comedy especially when they managed to make their own US version its own against an already cult British original (especially during seasons 2 and 3). It always came SOOO close to topping my chart.


And here are shows that topped my list in the recent years before this blog Tapeworthy was born:

Gilmore Girls

Like a heartwarming yet sarcastic feelgood play on TV every week, and the first 6 seasons was the smartest comfort food TV since the other GG girls (The Golden Girls) were on the air. I have all the DVD's and can still watch them anytime, and I still watch it whenever I see a repeat.



Sydney Bristow kicks ass and she had an amazing team behinds her. And some great friends in her real world as spy lives, daddy issues and the blur between the good guys and the bad are blended here in an exciting and twisted first 4 seasons. It ended out messily but lets just erase that from our minds and focus on the great stuff.



Aliens in high school but it was such an allegory for so much more, and between the emo music and the dreamy cast (I still dream of Jason Behr), the first season was beautifully written and emotionally enthralling. The following seasons lost track of its initial beauty and meaningful scripts but for the first season alone, it was all worth it.



Oh Phil! The travel porn show is always fun and exciting even during the bad seasons, but when it was great, especially when all of it was new and unknown, it was GREAT TELEVISION (especially the 2nd season).


And there are still many many many more that I haven't listed (Buffy! Arrested Development! Coupling (UK)!), some I'm still getting through (finally catching up with Dexter) but alas, that's why I've had 2000 posts to talk about them all and I'll continue to yammer away at more worthiness! Plus you can always check the sidebars including the DVDworthy section or the TVworthy sections and of course, the Tapeworthy sections for the best current shows worthy to be watched!


Best of 2008 Lists:
Best of Music 2008
Best of Television 2008
Best of Stage 2008
Best of Movies 2008
Best of Television Fall '07 - Winter '08 List

Best of 2007 Lists:
Best of Music 2007
Best of Television 2007
Best of Movies 2007
Best of Stage 2007
Best of 2007 (The Final Wrap Up)
Best of Television Fall '06 - Winter '07 List

Best of 2006 Lists:
Best of Music 2006
Best of Television 2006
Best of Movies 2006
Best of 2006
Best of Television Fall '05 - Winter '06 List

Best of 2005 Lists:
Best of Television 2005
Best of Movies 2005

Vance at http://tapeworthy.blogspot.com


More After the Jump...

Friday, February 27, 2009

Stars But Hollow - Guys and Dolls - Musical Review

Guys and Dolls - Nederlander Theatre - Broadway, New York, NY - *** (out of 5 stars)
Music and Lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows, Directed by Des McAnuff, Choreographed by Sergio Trujillo
Currently in Previews, Opens March 1st 2009
Note: Review is based on an earlier preview. Performance may have changed since.

Now, I'm going to fess up right away and probably admit that the new revival for Guys and Dolls probably doesn't deserve the stars I've given it, but it's amazing what my devotion to Lauren Graham for being in Gilmore Girls can do to my logical mind. It's also amazing what one bring-down-the-house number ("Sit Down You're Rocking The Boat") and one scene stealing performance from Mary Testa (Xanadu) can almost make up for the rest of the underwhelming show. This new Broadway revival isn't terrible, but it's not fantastic and for a classic musical like Guys and Dolls, it should be fantastic.

Granted, it has the unlucky position of following the now legendary mid 90's revival starring Nathan Lane, Faith Prince and Peter Galagher. Luckily, I've never seen it (though I have the Cast Recording and is the version I know this show by) so I can't really compare. I did see the recent London revival from the Donmar Warehouse that starred Ewan McGregor (as Sky) and Jane Krakowski (as Adelaide) but I didn't love that darkened revival (directed by Michael Grandage) that much either (though the stars, which also included Jenna Russell (the recent revival of Sunday in the Park with George) were awesome). In fact, I have yet to see a great version of the show to make me truly love it as much as the cast recording has.

Canada's Stratford Festival Artistic Director Des McAnuff (Jersey Boys, Caesar and Cleopatra) directs this unnecessary revival that manages to stay afloat due to our innate fascination of watching TV star Lauren Graham sing on stage (and to realize that she can, and well, may I add).

While the other two "stars" are less exciting, Oliver Platt and Craig Bierko (above) do fine as Nathan Detroit and Sky Masterson (respectively). It's newcomer (at least to fame) Kate Jennings Grant (below) as Sarah Brown who really shines and along with Graham, gives the dolls an edge over the guys.

The show itself seems hollow somehow. It seems very plainly directed and while that's not a particularly bad thing, it lacks the sparkly needed. The new Broadway production feels like a very big community theatre production that just happens to have some superb performers that luckily buoy the whole show.

I usually love the choreography from Sergio Trujillo (Jersey Boys, Saved) but even with hot chorus boys Nick Adams (he of the larger biceps than Mario Lopez in A Chorus Line) and John Selya (last summer's Encore's Damn Yankees), it felt messy. However, I realized there were some fantastic and clever moves in the choreography, but the large cast had to dance on a cramped stage that was crowded out by an overdesigned (yet simplistic looking, and not in a good way) set.

The set, designed by Robert Brill (The Story of My Life, Cabaret) manages to make the stage seem really cramped with large industrial beams flanking the sides, making a smaller stage frame to use. This would be a great idea if the musical had 4 people in it, but it doesn't, and with his generic V shaped stage design, it allows a small usable space in the front centre. Granted, my seats were partial view at the side of the orchestra with horrible sightlines, but since the "beams" and two side platforms that come out into the boxes are barely used or needed, a lot of it seemed superfluous. The rear video screen with animated (trying to be realistic) backdrops becomes a crutch for actual "scenery".

McAnuff does at least centralize and centre all the action towards the front of the stage (the London version had quite a deep stage and a lot of it was at the back and felt distant, both physically and psychologically) but with all the small set pieces rolling in and out, the musical felt like a series of best-of scenes instead of flowing from one to the next song.

But let's get back to the stars!

While Lauren Graham's Adelaide still felt a little like Lauren Graham (especially if you've seen her in interviews) PLAYING Adelaide, at least it was nice to see her become the anti-Lorelai Gilmore, a silly naive and ditzy blonde who works as a showgirl as she awaits for a marriage proposal from the lying Nathan Detroit. It's not a perfect performance but there's a relief and joy of watching Graham's Adelaide, knowing that the TV star could do it, and do it quite well. Graham milked all the comedy she could and her singing was surprisingly taut. I could totally see her repeat Matthew Broderick's career trajectory and find new life as a musical theatre star (not that I wouldn't want to see her back on TV, and in fact, already has a new pilot Let It Go in development).

While their love chemistry doesn't sizzle, Graham and Oliver Platt seem to really be getting their comedic timing to gel (especially after early buzz that Platt seemed totally miscast) and Platt's performance was far better than I anticipated. Again, I'm not sure it was anywhere as close to Nathan Lane's but Platt manages to hold his own and his quirky turn as Detroit managed to amuse me and keep the plot going.

Craig Bierko does a decent job with Sky Masterson but as a non-fan, he didn't sway me to become one, but at least I didn't dislike his performance. His pairing with Kate Jennings Grant though at least had more chemistry than Graham and Platt, so their quick love affair is a bit more believable. Her drunken behavior in Havana was cute and hilarious and turned that whole scene (usually not my favorite part of the show) into a great trip.

The show also luckily has a strong ensemble with Tituss Burgess (The Little Mermaid) as Nicely-Nicely Johnson, Steve Rosen (Spamalot) as Benny Southstreet and Spencer Moses as Rusty Charlie. While Burgess gets to steal the show later with "Sit Down, You're Rockin' the Boat", I really found myself loving Steve Rosen's Benny Southstreet. He plays it perfectly and has a great voice, and perfectly balances it all without stealing attention away from others, while never getting lost in the shuffle.

Jim Ortlieb (above with Grant, Roswell) as Arvide Abernathy, Glenn Fleshler (Spring Awakening) as Big Jule, Jim Walton as Harry the Horse, and Adam LeFevre (Recount) as Lt. Brannigan are notable in the male ensemble, but it's Mary Testa who takes the small role of General Cartwright (I think she's in maybe 3 scenes at most) and STEALS THE SHOW. I know it's an overused expression, but she takes "Sit Down, You're Rockin' the Boat" away from Burgess (who is already doing a pretty good job with it) and makes the show, for a brief moment, into a must see musical.

Alas, while the song leaves the musical on a supremely high note, the quick tie-it-all-up-in-a-happy-ending resolution (which has always been a problem in the book, imho) that actually ends the shows, deflates a lot of the energy Testa manages to pump up.

Alas, while any fan of Gilmore Girls will want to see Lauren Graham's terrific Broadway Musical debut, and Mary Testa and Kate Jennings Grant totally shine, the overall show seems very pedestrian and average and missing some internal soul. The new Guys & Dolls is watchable and enjoyable enough, but not a must see.

Vance at http://tapeworthy.blogspot.com


More After the Jump...